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When I decided to become a jeweler, I didn’t realize how male dominated the field was. You might think there would be more women involved, but when you look at the majority of jewelry designers and bench jewelers throughout history, it’s mostly men. I’m often inspired by them such as David Webb, Haroldo Burle Marx, and Din Vahn, but I also love looking back at the women who paved the way for so many of us now having a space and a voice.


If you don’t already know about these women, here’s a little rundown. What I admire in all of them is their authenticity, bold courage, and distinctive design language. Qualities I strive to embody in my own work.



SUZANNE BELPERON


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Belperron was one of the most influential and pioneering jewelry designers of the 20th century. Renowned for her sculptural, sensual, and innovative approach, she broke away from traditional jewelry conventions by creating bold, fluid forms that emphasized the beauty of materials themselves rather than relying on ornamentation.


She worked for Maison Boivin and later for Bernard Herz before continuing independently under her own name. She famously never signed her pieces, saying, “My style is my signature.”


Belperron was a true pioneer in modern jewelry design, introducing organic, architectural, and avant garde forms long before they became mainstream. Her work combined influences from nature, ancient civilizations, and modern art, and she often experimented with unusual materials such as rock crystal, chalcedony, and smoky quartz alongside precious stones and metals.



LINE VAUTRIN


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Vautrin was a visionary French artist and designer celebrated for her poetic and unconventional approach to decorative objects and jewelry. Often called the “poetess of metal,” she created pieces that blended surrealism, symbolism, and humor, transforming everyday materials into works of art.


She is best known for her intricate gilt bronze and talosel creations, a resin material she developed and mastered herself. Her mirrors, boxes, and jewelry have a dreamlike quality, often featuring engraved words, mythological motifs, and playful inscriptions.


Vautrin pioneered a distinctive artistic language that blurred the line between fine art, jewelry, and decorative design. She championed individuality and emotion over mass production, and today her work remains a cornerstone of 20th century French design for its whimsy, craftsmanship, and deeply personal vision.



PALOMA PICASSO


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Picasso is a French designer celebrated for her bold, expressive, and instantly recognizable approach to jewelry. The daughter of Pablo Picasso and Françoise Gilot, she brought an artist’s eye and a fearless sense of individuality to design.


She rose to prominence in the late 1970s and 1980s through her work with Tiffany & Co., where she introduced a new, modern energy to fine jewelry defined by strong geometric shapes, vibrant gemstones, and striking use of color. Her work merged art, architecture, and fashion, appealing to women who wanted jewelry that reflected independence and confidence.


Paloma Picasso helped redefine jewelry as a personal statement rather than a symbol of status. Her designs were meant to be worn with attitude and individuality, pieces that embodied creativity, sophistication, and strength.



ANGELA CUMMINS


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Cummings was an American jewelry designer celebrated for her sculptural, nature inspired designs and her pioneering use of inlay techniques in fine jewelry.


Trained in Europe and later designing for Tiffany & Co. in the 1970s and 1980s, she became known for her fluid, organic forms that echoed the natural world such as leaves, shells, coral, and stones, translated into elegant compositions of gold, mother of pearl, jade, and coral.


She was among the first to blend high jewelry craftsmanship with a modern, minimalist sensibility, merging art, design, and nature into wearable sculpture. Her technical mastery of stone inlay and her ability to create harmony between contrasting materials influenced generations of designers who followed.



VIVIANNA TORUN BULOW-HUBE


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Torun was a groundbreaking Swedish jewelry designer celebrated for her minimalist, sculptural forms and her philosophy that jewelry should flow naturally with the body rather than decorate it.


Known simply as Torun, she rejected the idea of jewelry as status or ornamentation and instead created fluid, organic designs that celebrated movement, balance, and simplicity. Her pieces often featured silver, rock crystal, moonstone, or quartz, materials chosen for their purity and connection to nature.


She was one of the first female silversmiths to gain international recognition and became closely associated with Georg Jensen, where her timeless designs such as the iconic Vivianna bangle watch defined a new era of modern Scandinavian design.


Torun’s work fused design, function, and emotion, inspiring a new generation of jewelers to see adornment as an extension of the spirit rather than a symbol of luxury.



ELSA PERETTI


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Peretti was an Italian designer and visionary who transformed the language of jewelry through simplicity, sensuality, and modern form.


Beginning her career as a model before joining Tiffany & Co. in the 1970s, she brought a sculptural, organic sensibility to fine jewelry, turning everyday shapes like bones, hearts, beans, and bottles into elegant icons. Her work celebrated the natural curves of the body and redefined luxury as something understated, personal, and effortlessly modern.


She also pioneered the use of sterling silver in high jewelry, making beautiful design more accessible while maintaining exceptional craftsmanship and refinement. Her minimalist yet deeply emotional approach continues to shape how we think about jewelry today as art, as design, and as something intimate to live with.



Do you have a favorite? I am biased because I truly admire all of them, for their authenticity and bold designs.



x Natalia



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First introduced in 2022, the NP’s Signet was born from a desire to reimagine a classic. I wanted to create a ring that felt timeless, yet unmistakably mine. Voluminous, sculptural, and with weight in both form and meaning.


Lately, I’ve been writing a lot about timelessness- what it means, how it shows up in my work, and why it matters. There’s no better piece to reflect that than this one. The Signature Signet is part of our permanent collection and a foundation of my design language.


The inspiration began at The Met, where I was struck by ancient signets dating back to Mesopotamia and Egypt around 3,000 BCE. These rings were more than adornment. They were personal seals, engraved with symbols, names, or crests to sign and protect what mattered most.



THE INSPIRATION

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THE ITERATIONS


Since then, I’ve created the Signet in different iterations. With diamonds, opals, and other stones. Each one a quiet reflection of its wearer. That’s the beauty of it. A modern heirloom made to carry meaning.


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THE SIGNET


Our Signet Rings are available in 18k yellow or white gold. The top is thoughtfully hollowed to ensure balance and comfort, preventing the ring from turning on your finger - a common issue with top heavy designs.


Shop our Signature Signet Ring or inquire about a custom version using your own gemstones or let us source something special for you.


The possibilities are endless.


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I’m late sending out this month’s newsletter, but only because I’ve been completely immersed in creating and exploring new work. It’s been seven months since I last designed something new, and I needed to give this moment my full attention. Somewhere in that creative focus, the newsletter slipped through my fingers.


This month, I decided to do something different. I’ve put together a Q&A, inspired by one I shared on Instagram a few months ago. I wanted to take the time to go deeper into some of those questions and share the curiosities many of you have about me and my process. I’ll also be sharing some of the inspiration behind the new pieces I’m currently working on.


I hope you enjoy getting to know a bit more about me and the world behind the work.


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Q:When did you start making jewelry?I began making jewelry in 2009, starting with beaded pieces, then slowly transitioning into gold-plated metals and semi-precious stones. In 2011, while living in New York, I took my first metalsmith class. But it wasn’t until 2017, after moving to Los Angeles, that I began working with precious metals. As I grew into my personal style, I felt drawn to creating pieces that were lasting jewelry not defined by seasons or trends, but by timelessness. I wanted to make objects that become part of you and your life.


Why exclusively 18k gold? I grew up in Brazil where 18k gold is the standard. At first, it felt natural because it was familiar but over time, I came to appreciate it on a technical level too. It is my favorite to work on as it is not too soft or too hard and its warm hue is my favorite.


Where does your inspiration come from? I draw from three core areas. First, fashion I've always been drawn to it. I even studied fashion design briefly at Parsons after high school, and though I didn’t pursue it fully, that foundation still influences me. I design jewelry through the lens of personal style, pieces I want to wear every day and keep forever. Second, architecture, especially modernism, whether Brazilian, French, or Italian. I love how it plays with structure, proportion, and emotion. There’s also some Art Deco in the mix. And third, sentiment. Every piece I make is customizable or engravable. Jewelry, to me, should carry meaning, it should hold something of you.


You’re often described as having a distinct point of view. What influences that? I value authenticity above all. I’ve always taken the less obvious path, often going against the grain and while that has its challenges, it’s how I stay true to myself. I don't mean authenticity in the sense of being radically different; to me, it's about knowing who you are, what you love, and moving through the world with intention and self trust. That internal compass is what guides me the most.


Would you ever work with silver? Not at the moment. I don’t feel my designs translate well in silver, it doesn’t carry the same energy. It also requires regular polishing, which doesn’t suit the ease I want my pieces to have.


Are there designers or houses you admire? Yes and I love this question because I admire each for very specific reasons.


  • David Webb – His use of architectural forms, bold textures, and vibrant colors is unmatched. Like me, he was inspired by architecture, and I love the strength in his designs.

  • Suzanne Belperron – A pioneer. Her work is voluminous, elegant, and full of quiet power. She carved space for women in a male dominated industry. Her use of 22k textured gold is still so relevant today.

  • Elsa Peretti – My fantasy godmother. We’re both Taurus women, and while our design styles differ, I deeply relate to her character and spirit. I feel a strange, spiritual closeness to her.

  • Haroldo and Roberto Burle Marx – Roberto was a visionary Brazilian landscape architect and artist who also explored jewelry design with his brother Haroldo Burke Marx, a master goldsmith. Together, they created sculptural pieces that embody the soul of Brazilian modernism. Their work is a continuous source of inspiration.


Roberto and Humberto Burle Marx's work from the 70's
Roberto and Humberto Burle Marx's work from the 70's

In three words, how would you describe your jewelry? Architectural. Bold. Symbolic. I’m a bold minimalist at heart I love volume, but not excess.


Which pieces are your personal favorites? My Sentiment Pendant (the very first I made) holds the ashes of my beloved dog who passed at 18. I wear it on my gold collar almost daily. I also never go without my Laurel II and signet rings, my mismatched diamond studs, and both gold and pavé ear cuffs. But also, my inseparable Elsa Peretti lacquer doughnut cuff in the most perfect burgundy, pairs so well with my jewelry, it is like my lucky charm. These are my staples, pieces I treasure both aesthetically and emotionally.


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BEHIND THE WORK: Visual notes from the new collection in progress



Cartier 1935 Art Deco ring via FD Gallery, 80's Alaïa jacket via Recess LA, entrance of Fondazione Masieri by Carlo Scarpa in Venice, Italy.


This new collection explores form and volume, drawing inspiration from Carlo Scarpa’s architecture, Phoebe Philo’s Céline era, 80s Alaïa shapes, and Art Deco jewelry. More to come.



SPOTLIGHT: NPJ featured on Vanity Fair UK


Honored to have my PLACA DIAMOND PENDANT featured on a special fine jewelry edit “On Jewelry” on July’s Vanity Fair UK edition.



"Natalia Pas' signature grooves are wider and further apart, adding a corrugated effect to plaque-like pendants and signet rings" - VANITY FAIR UK "In Jewelry" July/Aug 2025


18K yellow gold PLACA PENDANT featuring a 1ct natural round cut diamond
18K yellow gold PLACA PENDANT featuring a 1ct natural round cut diamond



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