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In an age defined by acceleration—of trends, of consumption, of images—the truly timeless feels almost radical. It doesn’t demand attention. It earns quiet reverence.


Over the past year, I’ve been immersed in studying design across disciplines—architecture, furniture, fashion—and how each reveals a shared pursuit of intention, substance, and lasting form. Since visiting Paris in January, I’ve found myself drawn to its modernist architecture. That curiosity led me down a path of discovery, exploring the work of visionary architects and designers beyond the shadow of Le Corbusier.




Certain works contain a rare permanence. You see it in the radical geometry of Jean Renaudie, whose angular housing projects stood in defiance of the sterile uniformity of post-war modernism. Unlike mass-produced buildings, Renaudie designed homes where no two apartments were the same—an architectural philosophy rooted in honoring the individuality of human lives. You find it too in the layered urban complexity of René Gailhoustet, whose housing structures offer an asymmetrical, unapologetically human counterpoint to the sleek polish of contemporary trends. These buildings do not chase time—they sit apart from it, inviting quiet reflection. And in the furniture of Hervé Baley, I see the same ethos. His pieces—rare, sculptural, uncompromising—feel more like spatial studies than mere objects. Their enduring power lies in their restraint. They are built to last, because they were never designed to impress.




In fashion, Martin Margiela embodies these ideals. His radical deconstruction of classic garments—exposing seams, inverting linings—was never about spectacle. It was about truth. He challenged convention by refusing celebrity, by letting the work speak for itself. His muses were real people. His garments endure—not just materially, but ideologically. I could write an entire newsletter on Margiela alone—and one day, I will.




At NP, these references live close to my process. They remind me that the most meaningful forms are born from clarity—not trend. I believe fine jewelry should carry the same quiet conviction. Each piece is not designed merely to be seen, but to be felt—today, ten years from now, and far beyond.


From noble materials to deliberate gestures, every curve and setting is crafted by hand—shaped by heritage and guided by the human touch. Never rushed. Never outsourced to time.


Because timelessness is not nostalgia. It is intention. It is making something real in a world that too often forgets to notice what matters.


Like a building that resists flattening, or a jacket that reveals its inner truth, our jewelry isn’t made to follow.

It’s made to endure.



-Natalia




SPOTLIGHT: The Laurel Ring


This month, I want to highlight one of my favorite pieces: The Laurel Ring. To me, it embodies that elusive quality of timelessness.


The design is bold—anchored in strong, sculptural lines that feel both angular and softly rounded. It draws inspiration from enduring architectural forms: weighty, intentional, unapologetically present.


I designed it for people like me—those who prefer a few statement pieces that do the talking. But if you're a maximalist, it layers beautifully. Stack it. Mix it. Let it speak in your language.


The Laurel has a substantial weight in the hand and on the body. It's meant to stand out—and more importantly, to stay.




Galerie 54 in Paris. Designed by Robert Mallet- Stevens
Galerie 54 in Paris. Designed by Robert Mallet- Stevens

If you've been following me for some time, you may have noticed that I don’t often rush to create new pieces. This approach mirrors my personal style and way of life—simple, intentional, and consistent. I’m someone who values practicality, which is reflected in my choices. For instance, I don’t change bags frequently; I prefer to invest in a few carefully selected pieces that I wear day in and day out until it’s time for something new. The same goes for my wardrobe—I don’t shop impulsively. I take my time, waiting months to decide if a piece is truly something I’ll cherish or simply a fleeting trend.


I consider myself a conscious consumer, and I don’t like to buy anything I won’t use or wear regularly. You may be wondering, "What does this have to do with jewelry?" And my answer is: Everything.


For me, jewelry is like a second skin. I wear the same pieces daily, adjusting a few earrings here and there, but overall, my style is consistent. I know what I like, and I stick to it. My jewelry becomes part of who I am—it’s not about trends or seasons. It's about pieces that hold meaning, that feel timeless and personal.


Earlier this year, I found myself facing a creative block, a lack of inspiration. But I’ve come to realize that sometimes, inspiration simply has to find me while I’m working—at its own time and pace. I don’t follow the typical fashion cycles or create seasonal collections.


My pieces are meant to be worn over time, to become intertwined with the stories of your life, and to grow in sentimental value.


Once I embraced this, I let go of the pressure to create on a schedule and allowed myself to focus on designing only when it feels truly right.


I’m thrilled to be writing again, reconnecting with you through this newsletter. It’s a reminder that my work isn’t just about the physical pieces; it’s about the deeper connection and resonance they hold. Jewelry, after all, is not just adornment—it’s personal, it’s intimate, and it’s a reflection of who we are.


In the coming months, I look forward to exploring themes like architecture, archival fashion, and, of course, how all of these influences connect with my approach to jewelry design.


Thank you for being a part of this journey with me.


Warmly,


-np




ON MY MOODBOARD LATELY



  1. Alaïa 1990 Runway Jacket. I love vinatge. I have loved early Alaia pieces since my days as an intern at the PR offices of What goes Around Comes Around in teh early 2000's. This jacket feels modern to the times we live in. The oversized shoulder and cinched waist gives it a feminine yet powerful silhouette. I would wear it with a pair of Phoebe Philo zip jeans and pointy shoes.

  2. LAUREL I Ring with cushion Diamond (made to order). My favorite ring. I haven't yet found the diamond I want for my own. This was a reseting for a client and it is such a timeless and architectual.

  3. Phoebe Philo. Phoebe is my girl, she has been for years. I love how her clothing feels comfortable, modern yet bold empowered.

  4. Galerie 54, Paris, France. Visited one of my favorite galeries I have been following on Instagram for years, due to their exquisite selection of my favorite designers like Perriand, Prouvé, Jeanneret, amognst others. This was the entryway of their building whcih was designed by Jean Prouvé.

  5. PLACA Pendant with 1.12ct grey diamond custom. I love my PLACAS, they translate to "plaque" in portuguese, my native language, and they are really meant to feel like a modern plaque and the best part is that you can customize them with hand engraving on the back or add a diamond like this one I made for a client.

  6. Phoebe Philo Gig Pouch. My next bag purchase. I don't normally wear patterns but this one feels cool and very much like me.

  7. Phoebe Philo Zip Jeans. I haven't been able to try them in person yet in my size. I did find them at the Dover Street Market in Paris but they were out of my size but this has been on my wishlist since the launch of her brand.


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